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Friday, 27 January 2012 - Finding Paul Simon, seeking Sugar Man at Sundance |
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      Edition: U.S. Africa Arabic Argentina Brazil Canada China France Germany India Italy Japan Latin America Mexico Russia Spain United Kingdom Home Business Business Home Economy Davos 2012 Technology Media Small Business Legal Deals Earnings Summits Business Video The Freeland File Markets Markets Home U.S. Markets European Markets Asian Markets Global Market Data Indices M&A Stocks Bonds Currencies Commodities Futures Funds peHUB World World Home U.S. Brazil China Euro Zone Japan Mexico Russia India Insight World Video Reuters Investigates Decoder Politics Politics Home Election 2012 Issues 2012 Candidates 2012 Tales from the Trail Political Punchlines Supreme Court Politics Video Tech Technology Home MediaFile Science Tech Video Tech Tonic Opinion Opinion Home Chrystia Freeland John Lloyd Felix Salmon Jack Shafer David Rohde Bernd Debusmann Nader Mousavizadeh Lucy P. 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Nonfiction films "Something From Nothing: The Art of Rap," in which rapper and actor Ice-T interviews Eminem, Nas, Snoop Dogg and others about the roots of hip hop, and "Shut Up and Play the Hits," about LCD Soundsystem's last concert in New York, have focused on music. "Filly Brown," about a female hip hop artist, "California Solo" in which Robert Carlyle plays a washed up rock star, and "I Am Not A Hipster," about a tortured singer songwriter, were among fictional films about the lives of musicians. But it was singer-songwriter Paul Simon who captured the media spotlight with the premiere of documentary "Under African Skies," and another nonfiction film "Searching for Sugar Man" that wowed crowds here. Both of them are linked to South Africa. "Under African Skies," recounts the making of Simon's groundbreaking 1986 album "Graceland" and shows Simon returning to South Africa where he recorded much of the acclaimed record that sparked controversy for breaking a cultural boycott of that country due to apartheid policies. The film shows footage of original recording sessions from "Graceland" in South Africa and chronicles Simon's 2011 reunion with the album's musicians for a 25th anniversary concert. The film makes the case that the album and resulting concert tour were overwhelming forces in bringing together people of various races and that political attacks against Simon by groups including the African National Congress were unwarranted. "The 'Graceland' phenomenon really came from a musical source and didn't have an overt political point of view," Simon told the Sundance audience about recording in South Africa. "I am actually saying, 'I have no regard for the structures of apartheid, I am here purely on a musical basis.'" The film cuts back-and-forth between Simon's 2011 reunion trip and the original "Graceland" recording sessions, offering insight into how hit songs like "You can call me Al" were assembled after Simon was inspired by South African music groups including Ladysmith Black Mambazo. "My first impulse was to go where the music was and the musicians that I wanted to play with, and I didn't know how it was going to come out," Simon, now 70, told the audience. "What happened with Graceland in becoming a worldwide hit was that the traditional music of South Africa became hip all over the world and South Africa began to take pride in what was a musical form that they considered old hat, really," he said. "SEARCHING FOR SUGAR MAN" In stark contrast to Simon's success as an artist, there is the story of an obscure, 1970s Detroit folk singer known as Rodriguez, who is the focus of "Searching for Sugar Man." Producers of his only two albums, "Cold Fact" and "Coming From Reality," considered Rodriguez better than Bob Dylan with his poetic lyrics protesting racial and economic inequality. He wrote about a hard life on the streets of Detroit. His records failed to sell in the United States. The film about him has won standing ovations from cheering, tearful audiences at Sundance where many have said it was among the best movies they had seen. "Searching for Sugar Man" begins in South Africa where the folk singer's song, "Sugar Man", was banned on the radio and he became an enigmatic, cult hero in the 1970s to a mostly white, liberal crowd spurred by his anti-establishment message in their questioning of apartheid. Yet, after his two albums bombed in the U.S., Rodriguez faded into obscurity, never recording again nor knowing about his success in South Africa. A record retailer in that country, Stephen "Sugar" Segerman termed him, "bigger than Elvis," and set about searching for the Mexican-American singer rumored to have shot himself or set himself afire on stage. "It's been quite a journey to make this film, it took five years," said director Malik Bendjelloul who painstakingly uses grainy footage, animation and interviews to reconstruct Segerman and music journalist Craig Bartholomew's quest to find out what happened to the singer and his royalties. The film's soundtrack utilizes the folk singer's songs. "We knew nothing, his name never cropped up anywhere," Segerman said of the search. "There was a mythology around this man for 30 years." And in a strange twist of Sundance fate, Segerman believes one reason Rodriguez's first album never took off was because it was released near the same time as Art Garfunkel and Paul Simon's seminal smash hit, "Bridge Over Troubled Water." (Additonal reporting by Zorianna Kit, Editing by Bob Tourtellotte) Entertainment Fashion Film Tweet this Link this Share this Digg this Email Reprints Entertainment News From the Wrap 'Bindlestiffs,' 'Getting Up' Win Slamdance Audience Awards 12:38am EST Jury awards at Park City festival for low-budget films go to "Welcome to Pine Hill" and "No Ashes, No Phoenix" Chinese Blockbuster 'Flowers of War' Leaves U.S. Audiences Cold 1:30am EST Starring Christian Bale, the most expensive movie ever made in China is a tough sell to U.S. audiences One Week Delay for 'What to Expect When You're Expecting' 26 Jan 2012 Lionsgate pushes Jennifer Lopez and Cameron Diaz comedy back a week Steve-O Sued Over Alleged Karaoke Injury -- Yes, Karaoke Injury 26 Jan 2012 If anyone could turn singing into a health-endangering activity, it's him   We welcome comments that advance the story through relevant opinion, anecdotes, links and data. 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Add yours using the box above.   Edition: U.S. Africa Arabic Argentina Brazil Canada China France Germany India Italy Japan Latin America Mexico Russia Spain United Kingdom Back to top Reuters.com Business Markets World Politics Technology Opinion Money Pictures Videos Site Index Legal Bankruptcy Law California Legal New York Legal Securities Law Support & Contact Support Corrections Advertise With Us Connect with Reuters Twitter   Facebook   LinkedIn   RSS   Podcast   Newsletters   Mobile About Privacy Policy Terms of Use Our Flagship financial information platform incorporating Reuters Insider An ultra-low latency infrastructure for electronic trading and data distribution A connected approach to governance, risk and compliance Our next generation legal research platform Our global tax workstation Thomsonreuters.com About Thomson Reuters Investor Relations Careers Contact Us   Thomson Reuters is the world's largest international multimedia news agency, providing investing news, world news, business news, technology news, headline news, small business news, news alerts, personal finance, stock market, and mutual funds information available on Reuters.com, video, mobile, and interactive television platforms. 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