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Video No Hollywood ending for 2011 U2 sells out in 2011; LMFAO a hot ticket People says gay Lautner cover "100 percent fake" Follow Reuters Facebook Twitter RSS YouTube Read You thought 2011 was tough? | 31 Dec 2011 North Korea calls for "human shields" to protect new leader 9:34am EST Insight: Shortage of ADHD drug Adderall seen persisting in 2012 10:16am EST Iran reports nuclear progress as sanctions loom | 2:27pm EST Stolen monkey returned to San Francisco Zoo 1:18pm EST Discussed 368 Obama to ask for debt limit hike: Treasury official 125 Iran navy chief says shutting off Gulf ”very easy” 82 Paul builds campaign on doomsday scenarios Watched Hong Kong welcomes New Year Sat, Dec 31 2011 Treasure trove uncovered in Australia Thu, Dec 29 2011 New York New Year 12:48am EST Zooey Deschanel finds music a (Pooh) bear necessity Tweet Share this Email Print Factbox Factbox: Nominations in film for the Golden Globe Awards Thu, Dec 15 2011 Related News Jolie hopes Bosnia War movie speaks to her generation Fri, Dec 23 2011 "Hobbit" trailer has film fans buzzing Thu, Dec 22 2011 "Artist" leads Golden Globes. Do Oscars await? Thu, Dec 15 2011 "Artist", "Hugo" pile up nominations ahead of Oscars Tue, Dec 13 2011 Analysis & Opinion Breaking into confinement Don 2: Don’t expect too much Related Topics Entertainment » Fashion » Film » Music » People » Actress Zooey Deschanel attends the GQ ''Men of the Year'' party in Los Angeles November 17, 2011. Credit: Reuters/Phil McCarten By Steve Pond LOS ANGELES | Sun Jan 1, 2012 1:38pm EST LOS ANGELES (Reuters) - Writing a song for a Disney animated film puts a songwriter into a long and legendary line that has produced 30 nominations and 10 wins going back to "When You Wish Upon a Star" in 1940. And writing a song for a "Winnie the Pooh" movie is just as daunting a task, because it requires a songwriter to follow in the footsteps of Richard and Robert Sherman, who penned the well-known "Pooh" theme song and also wrote "Chim Chim Cher-ee," "Supercalifragilisticexpialidocious," "It's a Small World" and "I Wan'na Be Like You," among many others. "The tradition of music in Disney animated films is pretty spectacular. But I tried not to think about it, because I might be overwhelmed if I did," said actress and singer-songwriter Zooey Deschanel, who couldn't exactly ignore that history when she was drafted to contribute to this year's Disney version of the A.A. Milne stories. Her initial task, after all, was to record a new version of the Sherman brothers' theme song. When that went well, she was asked to write and record an end-credits song, which turned out to be "So Long," one of the film's two Oscar entries. And after that, she was asked to contribute vocals to other songs in the film ... all while finishing a tour with her band, She and Him, and getting ready to begin filming her new TV series, "The New Girl." "It kind of happened in little bits and pieces over the course of the year," Deschanel told TheWrap. "That's the thing with music for me. Songwriting was always something that I did in my private time as a release, very much on my own. It didn't come out into the world until later in my life. But now, as my schedule has gotten so weird and so busy, I feel like I need to keep going back to it." Deschanel first got involved with "Winnie the Pooh" when music supervisor Tom McDougall showed her a 10-minute segment that had been cut to a She and Him song, and asked if she'd record the title song. She enlisted bandmate Matt Ward (who goes by M. Ward) to produce, and settled on an approach to a song whose original version was recorded by a large chorus of anonymous singers. "I think there was something that Matt and I saw in that song that we could pull out, that wasn't really focused on in the original recording," she said. "That was the warmth and the intimacy of the song. We wanted it to feel very warm and sweet. I felt like it should welcome people into the story." Her Oscar entry "So Long," though, ushers viewers out of the story through its placement in the final credits. "They showed me a rough cut of the movie, so I knew what was leading up to that song," she said. "I knew that I wanted to write a love song, but about friendship love." Her models, she said, came from albums she loved both as a kid and as an adult: Harry Nilsson's "The Point," Carole King's "Really Rosie" and the compilation "Free to Be ... You and Me." "I listened to all of those again," she said. "They all had classic chord progressions and catchy melodies with good lyrical hooks and very strong choruses. I wanted a song that was upbeat and made you feel happy walking out of the theater, and also one that kids would enjoy." The discipline, she added, was dramatically different from writing for her own band, in which she's free to tackle any subject and take any approach. "There's something overwhelming about being able to write about anything, which I can do in She and Him," she said. "This was like cracking a code. I had to think, 'How do I accomplish all these things for the movie, how do I tell the story without getting too literal or writing something totally off-topic?' "But once I did crack the code, it was inspiring. And the movie people pretty much let me do my thing. They were extremely cool about letting me have my creative moment with the song." So far, she adds, there's just one additional thing she'd like out of the experience -- and it's not an Oscar nomination, but a face-to-face with her predecessors in the "Winnie the Pooh" songwriting gig. "I haven't met the Sherman brothers yet," she says. "I would love to, I'm such a fan." Entertainment Fashion Film Music People Tweet this Link this Share this Digg this Email Reprints Entertainment News From the Wrap Doug Sellars, Fox Sports Media Group EVP, Dies at 50 3:51pm EST He was "one of the kindest people you will ever know," company chairman remembers Oscar Songs: Zooey Deschanel Finds Music a (Pooh) Bear Necessity 12:25pm EST Actress says that as her television schedule gets "weird and busy," she needs to return to making music Steve Jobs: Bully. Cry-Baby. 3:11pm EST I knew Steve Jobs was a visionary. What I didn’t know was that he was such a cry-baby Academy Exercises Kodak Theater Escape Clause 31 Dec 2011 Move will enable Board of Governors to consider alternate venues, but may also result in a return to the Kodak We welcome comments that advance the story through relevant opinion, anecdotes, links and data. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. For more information on our comment policy, see http://blogs.reuters.com/fulldisclosure/2010/09/27/toward-a-more-thoughtful-conversation-on-stories/ Comments (0) Be the first to comment on reuters.com. Add yours using the box above. 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