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Slideshow Singer Pete Doherty's film debut dubbed a "crime" Tweet Share this Email Print Related News Brad Pitt mob movie portrays broken American dream 9:11am EDT Cannes film festival abuzz as dark tales shine Mon, May 21 2012 Antiviral brings Cronenberg father-son act to Cannes Mon, May 21 2012 Danish child abuse film shocks Cannes crowds Sun, May 20 2012 Tough times for small U.S. films despite bumper Cannes Sat, May 19 2012 Analysis & Opinion Department: Mr Varma, please spare us the trauma Inside Kabul’s theaters Related Topics Entertainment » Fashion » Film » Cast members Karole Rocher (L) and Pete Doherty (2ndL) and Lily Cole (R) arrive on the red carpet for the film ''Confession of a Child of the Century'', by director Sylvie Verheyde (2ndR) at the 65th Cannes Film Festival, May 20, 2012. Credit: Reuters/Christian Hartmann By Mike Collett-White and Cindy Martin CANNES, France | Tue May 22, 2012 11:51am EDT CANNES, France (Reuters) - "Don't give up the day job" was the critics' blunt message to British rocker Pete Doherty, whose debut film role in 19th century love story "Confession of a Child of the Century" has had its premiere at the Cannes festival. Based on an autobiographical novel by Alfred de Musset about his affair with writer George Sand, Doherty's casting in the lead role makes plenty of sense. The character he plays is a Parisian libertine living the wild life, mirroring the Babyshambles and Libertines frontman's own history of alcohol and drug abuse. In Britain he was a frequent fixture on the tabloid front pages due to his run-ins with the law and on-off relationship with supermodel Kate Moss. French director Sylvie Verheyde had those similarities in mind when she cast Doherty in the English-language period drama, in which he stars alongside French actress Charlotte Gainsbourg. "He (Doherty) was the figure of the poet now, like Musset was a figure of a romantic poet at this time," she told Reuters in an interview. "Just like Musset, he has this share of innocence and debauchery." Doherty, whose character Octave is a disaffected, world-weary dandy wearing top hat, tails and a cane, said he had no hesitation in accepting the role. "I couldn't not do it, really," he told Reuters in Cannes. "Things come along in your life, where it's a certain melody, or a certain person and you can't not be involved because you regret it and you'll be sorry and you'd be really jealous if someone else does it." Most critics in Cannes, where the film screened in the "Un Certain Regard" section for up-and-coming directors, did not spare the 33-year-old's feelings. "Based on his debut performance ... the Libertines and Babyshambles singer shouldn't even think of giving up his day job," wrote Megan Lehmann in the Hollywood Reporter trade magazine, apportioning some of the blame to the director. Baz Bamigboye, writing in the Daily Mail newspaper, opined: "Pete Doherty was collared for possessing ... cocaine ... now he has been done at the Cannes Film Festival for not being in possession of any acting talent." Boyd van Hoeij from Hollywood publication Variety, was particularly scathing about scenes shared by Doherty and Gainsbourg. "Charlotte Gainsbourg ... and ... Peter Doherty, making an inauspicious acting debut, have all the chemistry of two frozen fish filets, with line readings to match." But Geoffrey Macnab of the Independent newspaper did not agree in his three-out-of-five star review. "In essence, then, Doherty ... is playing a 19th century version of himself -- and he does it very well. He is understated, sardonic but has a vulnerability that stops him from seeming (too) obnoxious. "The problems with an uneven film are not of his making." (Reporting by Mike Collett-White, editing by Paul Casciato) Entertainment Fashion Film Tweet this Link this Share this Digg this Email Reprints We welcome comments that advance the story through relevant opinion, anecdotes, links and data. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. For more information on our comment policy, see http://blogs.reuters.com/fulldisclosure/2010/09/27/toward-a-more-thoughtful-conversation-on-stories/ Comments (0) Be the first to comment on reuters.com. Add yours using the box above. 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