Pakistanis angry over detentions in Times Sq. case Monday, May 24, 2010
ISLAMABAD – Relatives of three men detained by Pakistan for alleged links to the suspect in the attempted Times Square bombing say the men are innocent.
They
AFP - Thursday, August 6TAIPEI (AFP) - - Taiwan's Beijing-friendly government on Wednesday denied boycotting an Australian film festival amid a row over the e
BERLIN (Reuters) - Chancellor Angela Merkel suffered a double blow on Thursday as a senior party ally in east German
Minister seeks closure of anti-Berlusconi websites Wednesday, December 16, 2009
ROME (AFP) - – The Italian government moved Tuesday to close down Internet sites encouraging further violence against Prime Minister Silvio Berlusconi, who
By ELAINE KURTENBACH,AP Business Writer AP - Wednesday, March 18SHANGHAI - Asia's stock market rally seemed to be running out of steam Wednesday, despite an
Edition:
U.S.
Africa
Arabic
Argentina
Brazil
Canada
China
France
Germany
India
Italy
Japan
Latin America
Mexico
Russia
Spain
United Kingdom
Home
Business
Business Home
Economy
Technology
Media
Small Business
Legal
Deals
Earnings
Social Pulse
Business Video
The Freeland File
Markets
Markets Home
U.S. Markets
European Markets
Asian Markets
Global Market Data
Indices
M&A
Stocks
Bonds
Currencies
Commodities
Futures
Funds
peHUB
World
World Home
U.S.
Brazil
China
Euro Zone
Japan
Mexico
Russia
India Insight
World Video
Reuters Investigates
Decoder
Politics
Politics Home
Election 2012
Issues 2012
Candidates 2012
Tales from the Trail
Political Punchlines
Supreme Court
Politics Video
Tech
Technology Home
MediaFile
Science
Tech Video
Tech Tonic
Social Pulse
Opinion
Opinion Home
Chrystia Freeland
John Lloyd
Felix Salmon
Jack Shafer
David Rohde
Bernd Debusmann
Nader Mousavizadeh
Lucy P. Marcus
David Cay Johnston
Bethany McLean
Edward Hadas
Hugo Dixon
Ian Bremmer
Lawrence Summers
Susan Glasser
The Great Debate
Steven Brill
Jack & Suzy Welch
Frederick Kempe
Christopher Papagianis
Breakingviews
Equities
Credit
Private Equity
M&A
Macro & Markets
Politics
Breakingviews Video
Money
Money Home
Tax Break
Lipper Awards 2012
Global Investing
MuniLand
Unstructured Finance
Linda Stern
Mark Miller
John Wasik
James Saft
Analyst Research
Alerts
Watchlist
Portfolio
Stock Screener
Fund Screener
Personal Finance Video
Money Clip
Investing 201
Life
Health
Sports
Arts
Faithworld
Business Traveler
Entertainment
Oddly Enough
Lifestyle Video
Pictures
Pictures Home
Reuters Photographers
Full Focus
Video
Reuters TV
Reuters News
Article
Comments (0)
Pictures
Courtside candids
Sometimes players aren't the only stars at NBA games. Slideshow
Follow Reuters
Facebook
Twitter
RSS
YouTube
Read
Jessica's got to connect to win, says "Idol" mentor Iovine
21 May 2012
Insight: Morgan Stanley cut Facebook estimates just before IPO
|
3:26am EDT
McDonald's Vandalized: Onions on Burgers Send TN Men on McRampage
21 May 2012
Exclusive: U.S. lets China bypass Wall Street for Treasury orders
21 May 2012
Gingrich's private ventures are going bankrupt
8:08am EDT
Discussed
169
Iran attack decision nears, Israeli elite locks down
147
Exclusive: U.S. lets China bypass Wall Street for Treasury orders
118
Obama presses ailing Europe to focus on growth
Watched
A look at the UK’s most beautiful face
Thu, May 10 2012
Apple plans fatter iPhone 5 to choke market-hungry Samsung
Thu, May 17 2012
Obama raises concerns about al Qaeda in Yemen
Mon, May 21 2012
Pictures
Reuters Photojournalism
Our day's top images, in-depth photo essays and offbeat slices of life. See the best of Reuters photography. See more | Photo caption
Olympic torch relay
A look at the relay for the Olympic torch as it makes its way from Greece to England. Slideshow
Solar ring of fire
An annular eclipse dimmed the skies over parts of Asia and North America, which briefly turned the sun into a blazing ring of fire. Slideshow
Royal Opera's "Falstaff": Big knight on a big horse
Tweet
Share this
Email
Print
Related Topics
Entertainment »
Fashion »
Italy »
By Michael Roddy
LONDON |
Tue May 22, 2012 7:15am EDT
LONDON (Reuters) - A new production of Verdi's "Falstaff" at the Royal Opera features a big man on a big horse, and it could only flop if the Italian baritone Ambrogio Maestri could not sing the title role, which is manifestly not the case.
Maestri, who has sung Shakespeare's rotund knight as portrayed in Verdi's last opera to high praise in opera houses around the world, reprises his specialty in a new production by Canadian director Robert Carsen that is a bit like "Falstaff" meets the 1950s sitcoms "I Love Lucy" and "The Honeymooners", but with Italian conductor Daniel Gatti in the pit and a mostly strong supporting cast, delivers the goods.
Updated to the 1950s from the Elizabethan England of the Shakespeare plays it is based on, the production which opened last week and will play on big outdoor screens around Britain on May 30, features an almost blindingly yellow 1950s-period kitchen in one scene extending the entire width of the stage.
The kitchen belongs to Alice Ford, one of the wealthy women the proud but impecunious Falstaff is trying to seduce for love and profit, and it may be the most in-your-face set at Covent Garden since a production of Humperdinck's "Hansel and Gretel" a few years ago outfitted the witch's kitchen with gleaming chrome designer ovens and a freezer locker where the children she intended to bake were suspended on racks.
Carsen has transferred a gossipy garden scene to a swanky restaurant and brings a real horse, eating real hay, on stage in the last act because, Carsen told Reuters, Falstaff is meant to be dressed up as a hunter, and so must have a mount, and the horse does its bit to keep up the eating theme that runs from the opening curtain to the finale.
With its cast of scheming and upwardly mobile women, a bit like the character Lucille Ball played in her 1950s sitcom, and with an indelibly memorable fat man, like Jackie Gleason as the overweight bus driver Ralph Kramden in "The Honeymooners", Carsen hardly seems far from the mark when he describes his "Falstaff" as "a situation comedy, and in many ways it's like the first musical, too".
Carsen even has a response for anyone who has seen the last act before, in which the fat knight is tormented by the rest of the cast dressed up as fairies and elves who he thinks will destroy him because he has intruded on their midnight revels around a tree in Windsor Forest called Herne's Oak.
In this production, there's no tree, and the stage instead is covered with tables pushed together to serve for a banquet.
"It is true that the last act is supposed to take place beside something called Herne's Oak but we decided to make the entire production out of Herne's Oak - the entire show is made out of oak paneling from beginning to end. The paneling, the floor, the wall and all the furniture. Herne's Oak is there the entire way through."
All this, Carsen told Reuters, is in the interest of finding "one thing which lets you into the work".
"And I think with the audience it was really a wonderful reception," he added.
MIXED VERDICT
The critics delivered a mixed verdict, with some complaining that the production is so busy and madcap that it sometimes gives the music short shrift, while others said Carsen and cast had done a creditable job.
"The audience may have loved the Fords' Good Housekeeping dream kitchen and a real horse that Falstaff rides into Windsor Forest, but these were only amusing gimmicks. Otherwise it was all routine stuff, with a particularly disappointing hash made of the great last scene," Rupert Christiansen wrote in The Daily Telegraph.
"Carsen has a musical grasp of the piece...and he understands that Falstaff is more than a romp," wrote Martin Kettle in The Guardian.
At the centre of it all is Falstaff and no one would deny that Maestri fits the bill. He is so large that he barely needs padding for the role, and in publicity materials he expressed concern not so much about having to share the stage with a live horse as for the damage he might inflict on the poor steed when he mounted it. Fortunately, the horse is a sturdy one and showed no ill effects.
Since its premiere at La Scala in Milan in 1893, "Falstaff" has attracted some of the world's greatest baritones to the lead role, among them the late Italian Giuseppe Taddei and the German Dietrich Fischer-Dieskau, who died last week.
Maestri brings a somewhat laid back approach to the part, but from the opening scene when he is trying to figure out a way to pay for his last banquet which includes "a brace of pheasants and an anchovy", to the finale when he has been made to seem foolish but human, he truly embraces the role.
"Maestri may lack the vocal allure of some of his predecessors," Kettle wrote in the Guardian, "but he is confident and sympathetic, subtle of tone when needed, and certainly looks the part when he goes wooing in his full hunting regalia.".
Maestri is looking forward to singing in Carsen's production in Milan in January when it opens La Scala's 200th birthday tribute season to Verdi in an opera house that is notorious for rough and swift verdicts on productions or singers the audience does not find to its taste.
"I like the production very much because I think it fits for the audiences of today, it probably gets across what Verdi and the librettist wanted to say more than if it were a more traditional production," Maestri said.
"But I think at La Scala the young people will like it much more than the older generation."
("Falstaff" in rotation at Covent Garden through May 30 www.roh.org.uk)
(Editing by Paul Casciato)
Entertainment
Fashion
Italy
Tweet this
Link this
Share this
Digg this
Email
Reprints
We welcome comments that advance the story through relevant opinion, anecdotes, links and data. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. For more information on our comment policy, see http://blogs.reuters.com/fulldisclosure/2010/09/27/toward-a-more-thoughtful-conversation-on-stories/
Comments (0)
Be the first to comment on reuters.com.
Add yours using the box above.
Edition:
U.S.
Africa
Arabic
Argentina
Brazil
Canada
China
France
Germany
India
Italy
Japan
Latin America
Mexico
Russia
Spain
United Kingdom
Back to top
Reuters.com
Business
Markets
World
Politics
Technology
Opinion
Money
Pictures
Videos
Site Index
Legal
Bankruptcy Law
California Legal
New York Legal
Securities Law
Support & Contact
Support
Corrections
Connect with Reuters
Twitter
Facebook
LinkedIn
RSS
Podcast
Newsletters
Mobile
About
Privacy Policy
Terms of Use
AdChoices
Copyright
Our Flagship financial information platform incorporating Reuters Insider
An ultra-low latency infrastructure for electronic trading and data distribution
A connected approach to governance, risk and compliance
Our next generation legal research platform
Our global tax workstation
Thomsonreuters.com
About Thomson Reuters
Investor Relations
Careers
Contact Us
Thomson Reuters is the world's largest international multimedia news agency, providing investing news, world news, business news, technology news, headline news, small business news, news alerts, personal finance, stock market, and mutual funds information available on Reuters.com, video, mobile, and interactive television platforms. Thomson Reuters journalists are subject to an Editorial Handbook which requires fair presentation and disclosure of relevant interests.
NYSE and AMEX quotes delayed by at least 20 minutes. Nasdaq delayed by at least 15 minutes. For a complete list of exchanges and delays, please click here.