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Wednesday, 9 January 2013 - Hong Kong art house director Wong Kar Wai back with kung fu epic |
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      Edition: U.S. Arabic Argentina Brazil Canada China France Germany India Italy Japan Latin America Mexico Russia Spain United Kingdom Home Business Business Home Economy Technology Media Small Business Legal Deals Earnings Social Pulse Business Video The Freeland File Aerospace & Defense Investing & Taxes Simplified Markets Markets Home U.S. Markets European Markets Asian Markets Global Market Data Indices M&A Stocks Bonds Currencies Commodities Futures Funds peHUB Dividends World World Home U.S. Brazil China Euro Zone Japan Africa Mexico Russia India Insight World Video Reuters Investigates Decoder Politics Politics Home Supreme Court Politics Video Tech Technology Home MediaFile Science Tech Video Tech Tonic Social Pulse Opinion Opinion Home Chrystia Freeland John Lloyd Felix Salmon Jack Shafer David Rohde Nader Mousavizadeh Lucy P. 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Credit: Reuters/Tyrone Siu By Venus Wu HONG KONG | Tue Jan 8, 2013 11:30pm EST HONG KONG (Reuters) - Hong Kong art house director Wong Kar Wai, whose slow-paced, pensive films earned him laurels at international festivals such as Cannes, where he won best director, has just come out with "The Grandmaster," his latest kung fu epic. The fruit of eight years of labor and selected as the opening movie for February's Berlin International Film Festival, The Grandmaster tells the legendary tale of Bruce Lee's master Yip Man, played by Wong's long-time collaborator and Cannes best actor award winner Tony Leung. The concept of the movie hit Wong even before he released his most celebrated work, In The Mood for Love, back in 2000, said the director, wearing his trademark sunglasses, at the movie's Hong Kong premiere on Jan 8. The idea kept brewing in his head and eventually took him on a three-year journey, knocking on the doors of over 100 kung fu masters across China. "In the world of martial arts, there's a saying that goes -- 'the skies outside and inside the door are different,' he said. "When you look at it outside the door, it will forever stay a mystery. But when you have a chance to put your head inside and take a peek, you then realize that (the world) inside draws you in," added Wong, who will also serve as the president of the jury for this year's Berlinale. The auteur set his eyes on four martial art clans for his feature film, but stressed that he wanted to convey a common spirit shared by grandmasters and aficionados alike. "In the world of martial arts, there are many people who are not 'masters', but they have a deep affection for martial arts. They always hope to leave something behind for their clan and martial arts during their lifetime," he said. "I think this spirit is the spirit that 'The Grandmaster' wants to convey -- lingering thoughts that are never forgotten, echos that will always come," Wong said. Set at the infancy of modern China in the early 1900s, the retirement of a martial arts guru leaves the title of Grandmaster up for grabs. Among the four top fighters for the position is the feisty Gong Er, played by Zhang Ziyi of Crouching Tiger, Hidden Dragon and Memoirs of a Geisha. For her role, Zhang trained under the teacher of kung fu star Jet Li, and said the movements were key to expressing the spirit of the characters. "She (Gong Er) is a combination of almost all the unique features and merits of women of that era," Zhang said. "In terms of movements, we trained for such a long time because the director hoped when we went inside the world of the characters, we already carried their spirit in our bodies." Wong took the Best Director Award at Cannes in 1997 for "Happy Together," which depicts a tempestuous romance between two men and was also nominated for the Palme d'Or. Plagued by delays, The Grandmaster finally made its global premiere in Beijing on Jan 6, and opened across China on Jan 8 before showing in Berlin on February 7. (Reporting by Venus Wu, editing by Elaine Lies) Entertainment Fashion Film Investing and Taxes Simplified Tweet this Link this Share this Digg this Email Reprints   We welcome comments that advance the story through relevant opinion, anecdotes, links and data. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. For more information on our comment policy, see http://blogs.reuters.com/fulldisclosure/2010/09/27/toward-a-more-thoughtful-conversation-on-stories/ Comments (0) Be the first to comment on reuters.com. Add yours using the box above.   Edition: U.S. Arabic Argentina Brazil Canada China France Germany India Italy Japan Latin America Mexico Russia Spain United Kingdom Back to top Reuters.com Business Markets World Politics Technology Opinion Money Pictures Videos Site Index Legal Bankruptcy Law California Legal New York Legal Securities Law Support & Contact Support Corrections Connect with Reuters Twitter   Facebook   LinkedIn   RSS   Podcast   Newsletters   Mobile About Privacy Policy Terms of Use AdChoices Copyright Our Flagship financial information platform incorporating Reuters Insider An ultra-low latency infrastructure for electronic trading and data distribution A connected approach to governance, risk and compliance Our next generation legal research platform Our global tax workstation Thomsonreuters.com About Thomson Reuters Investor Relations Careers Contact Us   Thomson Reuters is the world's largest international multimedia news agency, providing investing news, world news, business news, technology news, headline news, small business news, news alerts, personal finance, stock market, and mutual funds information available on Reuters.com, video, mobile, and interactive television platforms. Thomson Reuters journalists are subject to an Editorial Handbook which requires fair presentation and disclosure of relevant interests. NYSE and AMEX quotes delayed by at least 20 minutes. Nasdaq delayed by at least 15 minutes. For a complete list of exchanges and delays, please click here.

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