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Edition: U.S. Article Comments (0) Follow Reuters Facebook Twitter RSS YouTube Read Mother drives minivan into river with kids 3:07pm EDT U.S. plans new push on Arab-Israeli peace: Clinton 12 Apr 2011 J.Lo named People's most beautiful woman 3:46pm EDT Obama sets goal on deficit cuts, rips Republicans | 4:27pm EDT Atop new poll, Trump slams China, OPEC and Obama 12 Apr 2011 Discussed 151 China tells U.S. to quit as human rights judge 140 Reid says Republicans want shutdown to close clinics 117 Obama, Congress struggle to find budget deal Watched South Korean "super gun" packs hi-tech killing power Mon, Feb 14 2011 Argentine models bare it all Thu, Apr 7 2011 Mini-dress drama in Brazil Tue, Nov 10 2009 "Scream 4" more of the same, but fans won't mind Tweet Share this By Todd McCarthy LOS ANGELES (Hollywood Reporter) - A scattering of amusing bits and clever twists can't forestall the terminal self-deconstruction that dominates "Scream 4." After an 11-year slumber, Ghostface returns to action, along with the... Email Print Related News Special Report: Inside the Egyptian revolution 10:21am EDT John Travolta to depict mob boss John Gotti Tue, Apr 12 2011 "Scream 4" aims to put film franchise back on track Tue, Apr 12 2011 Prolific American film director Sidney Lumet dies Sat, Apr 9 2011 Dale Chihuly's glass of inspiration never half empty Fri, Apr 8 2011 Analysis & Opinion Sharing services, and struggles William and Kate: the sugar-coated movie Related Topics Entertainment » Fashion » Film » Cast members Courteney Cox (R) and Neve Campbell pose at the premiere of ''Scream 4'' at the Grauman's Chinese theatre in Hollywood, California April 11, 2011. The movie opens in the U.S. on April 15. Credit: Reuters/Mario Anzuoni By Todd McCarthy Wed Apr 13, 2011 4:42pm EDT LOS ANGELES (Hollywood Reporter) - A scattering of amusing bits and clever twists can't forestall the terminal self-deconstruction that dominates "Scream 4." After an 11-year slumber, Ghostface returns to action, along with the principal creative team and key lead actors, and unsurprisingly goes into overdrive to make up for lost time. But the film very quickly, and tediously, becomes more of the same old and Craven thing -- self-referential film buff gags accompanied by a clockwork killing spree that seriously reduces the population of a small town. Strong anticipation by series fans and a high body count all but guarantee a killing at the North American box office this weekend, followed by fairly rapid theatrical fall-off and robust home viewing life. Fifteen years after her first encounter with the taunting, black-hooded, anguished-faced knife freak, Neve Campbell's Sidney Prescott returns to Woodsboro (represented now by an amalgam of towns in Michigan) to promote her book "Out of Darkness," which purports to express her coming to terms with the dreadful ordeals she survived and are now presumably safely in the past. With the town square festooned with the ghoul's likeness hanging from every lamppost, her celebrity is not lost on Ghostface, who's sufficiently inspired by her homecoming to sharpen his blades and further extend an already considerable reputation. However, this can't happen until director Wes Craven and series originator and screenwriter Kevin Williamson set the teasing tone by sampling some of the seven legendary "Stab" movies inspired by the town's real-life murders. The creep's pattern remains more or less the same: Taunting verbal abuse to nubile high school girls over the phone, sometimes climaxed by the phrase, "This is the last person you'll ever gonna see alive." This time the trio of most likely suspects includes Sidney's cousin Jill (Emma Roberts), who fawns over her famous relative, and her friends Olivia (Marielle Jaffe) and Kirby (Hayden Panettiere), the latter being the hottest film nerd ever seen onscreen, even if the lively actress playing her looks to be covered in an alarming oversupply of orange suntan spray. Back for more are Courteney Cox as Gale Weathers, the author who sees the new killing spree as a chance to bust out of her severe writer's bloc, a depression that might be connected to the fact that she's married to the sweatily incompetent Sheriff Dewey (David Arquette), who's never where he needs to be at the right time. Individual scenes have passing energy and jokiness, even if nearly all of the latter is highly insular in the way it self-consciously references horror genre tropes and the series' own history. But the narrative doesn't build the way it should in a good suspense film; just as it seems that the climax has arrived in a big Stab-A-Thon night at which dozens of horror geeks have congregated to watch the series while Ghostface is on a new tear through town, the film downshifts as it prepares to string out the last series of murders as long as it can before the final revelations (not bad) about who's behind the mask this time and why. At 111 minutes, this goes on far too long for its own good but, then, the previous three did too, so hardcore fans won't mind. The generational mix of actors works well enough, although Campbell too often seems stranded with little to do until the climax. Entertainment Fashion Film Tweet this Share this Link this Digg this Email Reprints We welcome comments that advance the story directly or with relevant tangential information. We try to block comments that use offensive language, all capital letters or appear to be spam, and we review comments frequently to ensure they meet our standards. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. Comments (0) Be the first to comment on reuters.com. Add yours using the box above. 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