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Friday, 18 May 2012 - Cannes festival opens with quirky comedy and a camel |
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See the best of Reuters photography.  See more | Photo caption  Inside Greece An insider's look at the people and places that define Greece.  Slideshow  Transgendered Indian Seema is transgender, one of hundreds of thousands in India who are ostracised, often abused and forced into prostitution.  Slideshow  Cannes festival opens with quirky comedy and a camel Tweet Share this Email Print Factbox FACTBOX-Films to look out for at Cannes festival Tue, May 15 2012 Related News Baron Cohen's Dictator storms Cannes, camel in tow Wed, May 16 2012 Regret but no surprise Cannes lacks women directors Wed, May 16 2012 Cannes film festival curtain up with comedy, chaos Tue, May 15 2012 Cannes film festival puts spotlight on rising stars Fri, May 11 2012 Analysis & Opinion Ishaqzaade: A rugged love story Dangerous Ishhq: Death is not the end Related Topics Entertainment » Fashion » Film » Director Audiard (L) arrives on the red carpet with cast members Matthias Schoenaerts (2ndR), Armand Verdure (C) and Marion Cotillard for the screening of the film ''De rouille et d'os'', in competition at the 65th Cannes Film Festival, May 17, 2012. Credit: Reuters/Yves Herman By Mike Collett-White and Alexandria Sage CANNES, France | Thu May 17, 2012 1:58pm EDT CANNES, France (Reuters) - The Cannes film festival kicked off on Wednesday with quirky U.S. comedy "Moonrise Kingdom", Wes Anderson's exploration of childhood and young love centered around two 12-year-olds who fall in love and run away together. The touching tale, set in 1965 on an island off the coast of New England, was a popular opening movie in the French Riviera resort, drawing laughs and warm applause at a press screening ahead of the official evening world premiere. During the screening, British comedian Sacha Baron Cohen was causing chaos on the nearby Croisette promenade, where he rode a camel and adopted the character of his latest alter ego General Aladeen, an outrageously offensive North African dictator. The publicity stunt, captured by dozens of photographers and cameramen, was typical of the kind of publicity stunts for which Cannes has become famous. In addition to the 22 movies in the main competition lineup, hundreds more screen in lesser selections and on the huge market place, and getting the media's attention can make or break a movie's prospects. Anderson, presenting a film for the first time in Cannes, had no such challenge, having been handed the coveted opening competition slot and boasting a cast that includes Bill Murray, Bruce Willis and Tilda Swinton. His light-hearted, surreal picture also features two young actors marking their movie debuts -- Jared Gilman and Kara Hayward were just 12 when they auditioned for the parts of Sam and Suzy, respectively. "I didn't know that I wanted to become an actor until I actually started working on the movie, and that's when I really began to realize that this is what I love doing," Hayward told reporters at a press conference. SAM AND SUZY RUN AWAY In Moonrise Kingdom, Sam, an oddball and unpopular orphaned boy scout, runs away from his summer camp to meet up with Suzy, a girl with whom he has fallen in love. Suzy's parents, played by Murray and Frances McDormand, consider her to be a problem child, and she has no qualms in leaving them to be with Sam. The young couple set up camp, read books, become friends, and experience sexual awakening away from the troubled world of adults, but when the grown-ups eventually catch up with them their dramatic adventure does not end. Murray, who has appeared in most of Anderson's films including "The Royal Tenenbaums" and "Rushmore", joked that the director had become his sole employer, although he did not get paid for his troubles. "I really don't get any other work but through Wes. I just wait by the phone," he said in his trademark deadpan delivery. "These are what we call art films. I don't know if you know what those are. They're films where you work very, very long hours for no money and...all we get is this trip to Cannes." He also welcomed Willis into the Anderson "family". "Bruce is a serious crazy movie star, and for him to play the part of the town cop in this one-car town was fun, it was great and it really pays off. "He really does have the great heroic 'Die Hard' moment at the end of this silly little kids' film. It's one of the biggest laughs of any film I've ever been in." For Willis, best known as an action hero, the chance to work on a low-budget, low-profile movie was a welcome change. "I found it really refreshing to be directed, to be asked to perform the part in a really specific way," he told reporters. "In a world where a lot of films where you don't rehearse and no one really talks to you about it, it was so nice to be asked to work in a certain way. "It (the film) is about love, it's about new love and young love and love that has gotten mixed up and messed up. It's all still the same story of how everybody needs to be loved in some way." (Reporting by Mike Collett-White, editing by Mike Collett-White) Entertainment Fashion Film Tweet this Link this Share this Digg this Email Reprints   We welcome comments that advance the story through relevant opinion, anecdotes, links and data. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. For more information on our comment policy, see http://blogs.reuters.com/fulldisclosure/2010/09/27/toward-a-more-thoughtful-conversation-on-stories/ Comments (0) Be the first to comment on reuters.com. 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