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Multitasker Beyonce thrives on hectic pace
Sun Oct 4, 2009 10:00pm EDT
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By Gail Mitchell
LOS ANGELES (Billboard) - Beyonce may be the hardest-working woman in showbiz.
Take the four days leading up to MTV's recent Video Music Awards. She wraps a run-through of her Radio City Music Hall performance at midnight Thursday evening. Friday morning at 10 a.m., she returns to rehearsal mode. A dressing room break is anything but: chats with MTV personnel about show logistics segue into an editing session for her next project -- a DVD culled from a summer stand at the Wynn Las Vegas.
Later that evening, Beyonce makes a surprise appearance at husband Jay-Z's September 11 Madison Square Garden show. Then right after the VMAs on September 13, Beyonce catches a flight to Australia to kick off the next leg of the world tour to promote her latest chart-topper "I Am ... Sasha Fierce."
"It's just one of those grind weeks," Beyonce casually says.
THE AVERAGE PERSON CAN'T KEEP UP YOUR PACE. HOW DO YOU IT?
I'm an all-or-nothing type of woman. Either I'm doing absolutely nothing and relaxing -- reading a book, sitting by the ocean and not answering any questions -- or else I'm hands-on and giving 100%, working really hard.
I was just on vacation for three weeks after touring for a couple of months. I have to schedule time to rest, rejuvenate and get inspired to work again. Now I'm definitely rested and thank God I had the rest -- that's the only way I would be able to get through a week like this. After three weeks without giving any answers or approvals and no performing, I came back like, "Yes! I'm ready to work!"
WHAT DO YOU DO TO MAINTAIN YOUR TOUR STAMINA? I HEARD A
RUMOR THAT YOU RUN ON A TREADMILL IN HEELS AND SING.
(Laughs heartily) No, I don't run on a treadmill in heels. That's a bit extreme. But I do practice my choreography in heels. And I have a rule that when I have my heels on, everyone has to have their heels on too. Sometimes the dancers are like, "Oh, God, we hope Beyonce comes in late," because I'll go all day. And in the end, I'll have blisters and my toes will have bruises. It's really hard sometimes. I still do all the boring things that everyone else does in regular workouts like squats and the treadmill. But I mainly get in shape from doing the choreography during those long 12-hour rehearsals for two months before a tour.
... On my days off from the tour, I do a lot of sightseeing. I love to visit churches and museums all over the world. The architecture in America is amazing but in Europe, there's so much history. I also started riding a bike on my days off with others like my assistant and stylist. It's amazing how I'm able to ride around on a bike. People kind of see it's me but since I'm on a bike, they think, "No, it's not her." And by the time they realize it's me, I'm already gone. It's great to do something normal every day. It keeps me grounded.
WERE YOU SURPRISED BY THE IMMENSE POPULARITY OF THE "SINGLE
LADIES (PUT A RING ON IT)" VIDEO?
Out of all my videos, it was the least expensive and took the least amount of time. And it ended up being the most iconic. I absolutely didn't expect that -- I don't think anyone did. But I knew exactly what I wanted to do: Keep it simple. I've done so many things in videos with different hair and wardrobe changes, different sets and lights. I just wanted to keep this one really minimal. And once we got on the set, it was like, "Wait a minute. This is something special."
I'd seen this 1969 video (featuring Gwen Verdon), this one take of amazing Bob Fosse choreography set against a white background. And I thought, "Wow, despite all the technology we have now, wouldn't it be great to just strip it all down -- without a bunch of different camera shots and cuts, without any hair and wardrobe changes -- and make it all about the performance?" We had exactly 12 hours to film that video. We did it after shooting "If I Were a Boy," so I used the same director and same crew, renting out a studio in New Jersey. From the black leotards to incorporating some of Fosse's 1969 choreography into our modern choreography, it was just a conscious effort at keeping everything simple. Continued...
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