Pakistanis angry over detentions in Times Sq. case Monday, May 24, 2010
ISLAMABAD – Relatives of three men detained by Pakistan for alleged links to the suspect in the attempted Times Square bombing say the men are innocent.
They
AFP - Thursday, August 6TAIPEI (AFP) - - Taiwan's Beijing-friendly government on Wednesday denied boycotting an Australian film festival amid a row over the e
BERLIN (Reuters) - Chancellor Angela Merkel suffered a double blow on Thursday as a senior party ally in east German
Minister seeks closure of anti-Berlusconi websites Wednesday, December 16, 2009
ROME (AFP) - – The Italian government moved Tuesday to close down Internet sites encouraging further violence against Prime Minister Silvio Berlusconi, who
By ELAINE KURTENBACH,AP Business Writer AP - Wednesday, March 18SHANGHAI - Asia's stock market rally seemed to be running out of steam Wednesday, despite an
My Profile
Top News
Reuters top ten news stories delivered to your inbox each day.
Subscribe
You are here:
Home
>
News
>
Technology
>
Article
Home
Business & Finance
News
U.S.
Politics
International
Technology
Internet
Entertainment
Sports
Lifestyle
Oddly Enough
Health
Science
Special Coverage
Video
Pictures
Your View
The Great Debate
Blogs
Weather
Reader Feedback
Do More With Reuters
RSS
Widgets
Mobile
Podcasts
Newsletters
Your View
Make Reuters My Homepage
Partner Services
CareerBuilder
Affiliate Network
Professional Products
Support (Customer Zone)
Reuters Media
Financial Products
About Thomson Reuters
Variable iTunes pricing a moneymaker for artists
Sun Jun 21, 2009 1:35am EDT
Email | Print |
Share
| Reprints | Single Page
[-]
Text
[+]
By Antony Bruno and Glenn Peoples
DENVER/NASHVILLE (Billboard) - In April, soon after Apple gave labels the ability to set different prices for their songs on iTunes, every track on Pink Floyd's "Dark Side of the Moon" was raised to $1.29.
Some music fans complained about these price increases, and many technology executives and bloggers proclaimed that labels were making the wrong move. But while sales of individual tracks from "Dark Side of the Moon" dipped by 11%, album sales remained steady. And all sales combined generated about 12% more revenue in the six weeks after iTunes implemented variable pricing than they did in the six weeks before that.
These are the results labels were hoping for when Apple relented and began selling music at three price tiers: 69 cents, 99 cents and $1.29. They certainly put enough work into getting there: It took years of negotiation to get Apple to break its one-price-fits-all format.
Playing with pricing won't solve the music industry's biggest problem: Digital revenue is increasing too slowly to compensate for the decline of CD sales. But variable pricing will help labels bring in more money from online downloads, according to the results so far.
A Billboard analysis of Nielsen SoundScan data on February-May sales of hits and a sample of popular catalog songs shows that "Dark Side of the Moon" isn't an anomaly. While variable pricing made sales volume decline, higher prices compensate for that to create more revenue.
Not surprisingly, results vary. The demand for more popular tracks is less sensitive to higher prices, so sales don't decrease as much. Most less-popular tracks suffer a larger sales decline and see only marginal revenue gains. There are also notable, if isolated, examples of songs that sell so much worse at a higher price that they bring in less money overall.
The math is simple. So long as sales for higher-priced tracks don't fall more than 29%, labels take in more revenue from $1.29 tracks, after factoring in wholesale rates, distribution fees and mechanical royalties.
Sales of the weekly top 40 tracks -- most of which now have the higher wholesale rate -- fell about 11% in the six weeks after the launch of variable pricing. But retailer revenue from those tracks rose about 10% after the price hike. That means labels took in 20% more revenue for those songs.
"A $1.29 vs. 99 cents price point has not made a notable difference in consumers appetite for online music," Pali Research analyst Richard Greenfield says. "On the album side, you've seen variable pricing for a while and it's not clear that it's had a notable negative impact, so I'm not sure why the single environment would be different."
Other factors surely influenced sales. A seasonal sales dip often takes place after the first quarter. It happened this year, too: Sales of all tracks, most of which have the same price, declined 5% during the six-week period following the introduction of variable pricing. The top 200 digital tracks dropped 8.5% during this time. Making the situation more complex, the price changes took place gradually. On April 7, 33 of the top 100 tracks on iTunes were priced at $1.29; by June 11, 72 of the top 100 had that price.
To measure the impact of price changes alone, Billboard examined more than 70 catalog tracks from popular acts with consistently strong sales -- Stevie Wonder, Bob Marley, Bon Jovi, Jack Johnson, Billy Joel, Creedence Clearwater Revival, Sublime, Norah Jones, ABBA and others. The songs were chosen because they sell steadily but haven't seen spikes from TV exposure or media coverage. So looking at their sales should isolate the effect of price changes.
It's important to note that the size of Billboard's sample is too small to have statistical significance given the thousands of catalog songs sold on iTunes. But it offers a compelling picture of how variable pricing has helped labels so far.
In the six weeks after iTunes introduced variable pricing, the songs that Billboard looked at sold 20.9% less than they did during the previous six weeks. That's a much steeper drop than that of the most popular titles. By way of comparison, the top 40 tracks on Billboard's Hot Digital Songs chart declined only 10.8% in the same time frame. But even this deep drop in unit sales resulted in a net gain to the bottom line. Consumer spending on the catalog tracks dropped about 2% and net revenue to labels rose around 6%.
The revenue increase from those catalog tracks has only a fraction of the weight of the top 40 tracks. In a typical week, for example, the number one track in the country will sell many more copies -- sometimes twice as many copies -- as the combined total of all the catalog tracks in Billboard's sample. Billboard also looked at track sales from albums in which some or all tracks were raised to $1.29. The results varied but each example showed a decline in unit sales greater than the total market's 2% drop during the six-week period.
That's the forest. To really gauge the impact variable pricing can have on sales, one has to examine the trees. Individual results for specific artists show how careful labels have to be when they use their newfound pricing power. Continued...
View article on single page
Share:
Del.icio.us
Digg
Mixx
Yahoo!
Facebook
LinkedIn
Next Article:
Steve Jobs received liver transplant: report
Also on Reuters
Spitzer in spotlight; can comeback be far behind?
Obama "ready to fight" for new financial agency
Slideshow
Slideshow: World Refugee Day
More Technology News
Steve Jobs received liver transplant: report
Smaller crowds greet new iPhone
| Video
Streaming music service Spotify basks in praise
Activision says may stop supporting Sony PS3: report
Eight percent admit to downloading video illegally
More Technology News...
Editor's Choice
Slideshow
A selection of our best photos from the past 24 hours. Slideshow
Most Popular on Reuters
Articles
Video
Iran's Mousavi calls for purge of "lies" | Video
Suicide truck bomb kills 34 in northern Iraq | Video
Sandra Bullock finally has top film at box office
Dutch muggers caught on Google street view camera
Steve Jobs received liver transplant: report
New Mexico breaks ground on commercial spaceport
Hollywood studio Paramount axes top executives
Schwarzenegger jet makes "steep" emergency landing
Iran opposition leader calls for purge of 'lies'
Singapore says would act if North Korea ship has WMD
Most Popular Articles RSS Feed
Video
Teargas fired on streets of Tehran
Scores die in Iraq suicide blast
Iran protests spread to Asia
Pakistani area cleared of Taliban
UN marks World Refugee Day
Police and protesters clash in Chile
Stanford charged with massive fraud
Unmanned aircraft headline in Paris
Iran's Supreme Leader calls for calm
In search of the Lost City
Most Popular Videos RSS Feed
We want to hear from you
Join the Reuters Consumer Insight Panel and help us get to know you better
Please take a moment to complete our survey
Reuters.com:
Help and Contact Us |
Advertise With Us |
Mobile |
Newsletters |
RSS |
Labs |
Archive |
Site Index |
Video Index
Thomson Reuters Corporate:
Copyright |
Disclaimer |
Privacy |
Professional Products |
Professional Products Support |
About Thomson Reuters |
Careers
International Editions:
Africa |
Arabic |
Argentina |
Brazil |
Canada |
China |
France |
Germany |
India |
Italy |
Japan |
Latin America |
Mexico |
Russia |
Spain |
United Kingdom |
United States
Thomson Reuters is the world's largest international multimedia news agency, providing investing news, world news, business news, technology news, headline news, small business news, news alerts, personal finance, stock market, and mutual funds information available on Reuters.com, video, mobile, and interactive television platforms. Thomson Reuters journalists are subject to an Editorial Handbook which requires fair presentation and disclosure of relevant interests.
NYSE and AMEX quotes delayed by at least 20 minutes. Nasdaq delayed by at least 15 minutes. For a complete list of exchanges and delays, please click here.